Can't put in a bio so I'll write my own one down here. Kris Lemche was raised in Ontario, the oldest of three children, which includes Matthew Lemche and Jennifer Lemche. Mother's a school teacher and his father runs a heating business....
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Can't put in a bio so I'll write my own one down here. Kris Lemche was raised in Ontario, the oldest of three children, which includes Matthew Lemche and Jennifer Lemche. Mother's a school teacher and his father runs a heating business. Originally he wanted to become a doctor and study biochemistry in hopes of doing cancer research. Kris attended Mayfield School of the Arts, merely because his friends were going there. While he was saving money to become a doctor he stumbled upon an advertisement in the newspaper of an agency that was looking for actors. He responded and kept getting call backs which led him to play Zed Goldhawk on Flash forward. A series that was created by Disney. He discovered a passion for acting and is now putting his career of being a doctor on hold and is doing what he believes he loves to do best. Kris and his friends used to produce their own short movies. To this day Kris enjoys making, acting and just being a part of movies. He enjoys movies with DeNiro.

"Ginger Snaps" is one of the darkest werewolf films made, and one of the most realistic, too. It's a story about a teenage girl who acquires the mythical hairraising powers of the species after being attacked and mauled in Canadian...
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"Ginger Snaps" is one of the darkest werewolf films made, and one of the most realistic, too. It's a story about a teenage girl who acquires the mythical hairraising powers of the species after being attacked and mauled in Canadian woods.

Ginger is a happy 16-year-old with a low social life status. Her 15-year-old sister, Brigitte, is the same way. But one night in the woods outside their home, both girls are attacked by a vicious beast, and soon Ginger starts going through some changes. First it's minor stuff, like hair sprouting in weird places. Then it's strange stuff, like growing a tail.

Soon she's the "cool girl" at school, hanging out with the right crowds and so on. Her sister is put off by Ginger's new image, and is uneasy with the new, cruel, cool Ginger, who no longer hangs out with her sister.

But the changes start to become too apparent, and she begins to gradually evolve into a hairy beast, which threatens not only Brigitte's life, but also those around her, especially after Ginger's blood craving starts to take over her senses.

The key to this film, I think, is its modest tone. It was a low-budget Canadian werewolf movie -- nothing more -- and it has an ingenuity about it. It's original, to a certain extent, even though the actual premise of werewolves has been used to death over the years.

This is a fun movie because of its unique view of werewolves. It brings the legend of the mythical beasts closer to reality -- it offers a perspective of what it may truly be like to acquire the abilities of the beast in today's age. Sure, the overall premise may be ridiculous, as werewolves are works of fiction, but if you ever want to know what it may be like -- just for fun -- then check this one out for a good thrill.

Just as in the first two entries in this series, the movie presents us with a pack of teens who momentarily cheat the reaper (in the first film, they got off a doomed plane; in the second, the kids avoided a freeway pile-up) only to find that...
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Just as in the first two entries in this series, the movie presents us with a pack of teens who momentarily cheat the reaper (in the first film, they got off a doomed plane; in the second, the kids avoided a freeway pile-up) only to find that death never takes a holiday. Here, the kids hop off a roller coaster moments before it derails.

In "Final Destination 3," there's a particular emphasis on exploding heads, which must have been hell on the movie's syrup budget. Suffice it to say that the good folks in McKinley (the movie's setting) will never win any safety awards, though anyone boarding a roller coaster through the bowels of Satan should possess the self-awareness to know what they're getting into.

The movie's one-dimensional characters exist solely to be dismembered, decapitated, bludgeoned, set afire, squashed or nail-gunned. Wong and Morgan, eager to please, dispense with messy things like feelings and fear and crank up the assembly line, mutilating a new body every few minutes. It's a grim picture in every possible sense.