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Average User Score: 6 (60 sources)

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diyari

-1

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a good movie but not one of those that grows on ya...

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Posted jun 29, 2009 7:33 am pt

Mwatcher123

-1

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Actiony with a very sexy protagonist. The movie is an apocalyptic film where a virus causes Scotland to be walled off from the rest of the UK. Soon after, the world forsakes Scotland and its people until the virus springs in London. On the other...
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Actiony with a very sexy protagonist. The movie is an apocalyptic film where a virus causes Scotland to be walled off from the rest of the UK. Soon after, the world forsakes Scotland and its people until the virus springs in London. On the other side of the wall, Scottish society breaks down into two identified societies as one goes as far as to resorting to cannibalism and the other rewinding the clock. Very interesiting storyline and assessing the separate socieites in post apocalyptic Scotland is quite interesting by itself save the action and violence in the entire movie.

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Posted jan 21, 2009 1:40 pm pt

Blackhawk96

-1

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Look **** get over it was a good movie, I admit it did have some elements from other movies that's why i took a half a star off but still how is that a horrifically bad thing it's good you can't have every movie in existence be different. AND...
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Look **** get over it was a good movie, I admit it did have some elements from other movies that's why i took a half a star off but still how is that a horrifically bad thing it's good you can't have every movie in existence be different. AND for the people who say its not a horror flick oh well it got mislabeled big deal it doesn't change the movie so shut the hell up it was GOOD......

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Posted aug 15, 2008 3:44 pm pt

Vyce3

-1

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This movie's problem isn't that it's not a horror film, it's that it's pure garbage from beginning to end. It's filled with sad and overused cliches, it rips off from tons of different films, some twists are completely ludicrous, continuity...
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This movie's problem isn't that it's not a horror film, it's that it's pure garbage from beginning to end. It's filled with sad and overused cliches, it rips off from tons of different films, some twists are completely ludicrous, continuity problems abound, dialogues are pathetic and the entire thing skids out of control halfway in the movie when they enter Middle-Earth. Who the **** financed this pile of crap?

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Posted aug 5, 2008 12:04 pm pt

punisherwarzone

-1

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this flim swept me away it was so gritty and action packed that it was hard to wacth but it had a great story line the flim is just so good see this movie

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Posted aug 1, 2008 5:58 am pt

belial_77

-1

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The only reason peeps complain about this not bein a horror flick is cause Marshell directed it, but he NEVER even hinted that it would be.

Instead, we are treated to an action packed postapocalyptic sci-fi filled with small in jokes...
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The only reason peeps complain about this not bein a horror flick is cause Marshell directed it, but he NEVER even hinted that it would be.

Instead, we are treated to an action packed postapocalyptic sci-fi filled with small in jokes and just pure awesomeness.

While a lil overedited for Marshell's typical style, the FX are amazing well done (including one of the most over-all disturbing cannibalism scenes in recent film). Where other films that had inspired this one (like Escape from New York, Roadwarrior, A Boy and His Dog, etc) would turn the camera from the more graphic/bloody scenes, or kinda skip over them... Doomsday relishes in bringing these darkest corners of the future to light in all their bloody detail... Any fan of the sub-genre will def appreciate this gritty take.

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Posted jun 2, 2008 3:31 am pt

The_Gnat_5000

-1

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This is a great film, from the trailers and the previews it was very clear this wasn't going to be a horror film, but instead an homage to the 80's cult classic action/adventure film, and that is clearly what it is, it borrows from these films...
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This is a great film, from the trailers and the previews it was very clear this wasn't going to be a horror film, but instead an homage to the 80's cult classic action/adventure film, and that is clearly what it is, it borrows from these films while still maintaining its own identity. A very well done homage that all of those cult classic action/adventure film directors from the 80's can be proud of as it continues on the tradition of those films.

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Posted may 30, 2008 1:03 am pt

chigglesman

-1

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A lot of horror fans have found a respect for writer/director Neil Marshall, as he has brought us two great horror films, Dog Soldiers and The Descent. So when we all hear news that Neil Marhsall is doing yet another horror movie, we got really...
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A lot of horror fans have found a respect for writer/director Neil Marshall, as he has brought us two great horror films, Dog Soldiers and The Descent. So when we all hear news that Neil Marhsall is doing yet another horror movie, we got really excited. Doomsday tells about a killer virus called "The Reaper", in which swept over Scotland sometime in the future. The army built up a giant wall around Scotland to keep people out and in, but the virus ended up spreading some 30 years later, and a supposed cure is held up inside the wall. A task force is sent in to retrieve it, but they found something worse then they bargained for. Doomsday is sort of a bunch of movies combined, for example Mad Max and 28 Weeks Later. It takes place in sort of a post apocalyptic future, so director Neil Marshall had come up with a gang sort of, reminding me of the punk scene of the 70's and 80's with their tattoos, piercings and leather attire. This is one thing the movie did a good job with, was the basic make up and clothing design. Most of the characters have crazy hair designs like mohawks, spikes and such. Their clothing and piercing also range in strangeness, as theyre noses, cheeks, ears, nipple, belly buttons and more are pierced in strange fashions. Marshall always does a grea job with all of the gore effects in his movies. Doomsday is certainly bloody, as this future is rough. At the beginning of the movie, we get some pretty gory gunshots which cause many splatters around the environment. Also in the beginning, we get a great moment where a man gets his head blown in half with a shotgun and it is really cool just to watch that gag on screen. After that, we get more stabbings and cuts, mostly with some blood sprays. The end chase though is absoulutely covered in blood, as we get men being run over and rammed by vehicles, leaving a bloody mess behind. Now, lets get to some of the negative things about the movie. First off, I cant really say that this movie is original in any way, cause basically it seems that Neil Marshall just threw together a bunch of elements from other movies to creat Doomsday. The plot is also very confusing and bland, because theyre are so many plot holes its hard to follow the film. The script and basic directing also lack here, as the script is to simple for me and the directing is too edited for me to fully enjoy it. Doomsday is simply stupid fun, full of gore and action, the movie was enjoyable. Though I think it it underrated, it still is not as good as proposed.

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Posted may 17, 2008 9:15 am pt

Darkjessedlove

-1

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This movie was like they took splices from about 10, at least, movies and made this one. How many movies are out right now with the same virus containment of a city penned up people go crazy? I can think of at least 2 maybe three and this was the...
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This movie was like they took splices from about 10, at least, movies and made this one. How many movies are out right now with the same virus containment of a city penned up people go crazy? I can think of at least 2 maybe three and this was the worst. Definately looked low budget and the ending...no comment!

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Posted apr 21, 2008 7:48 am pt

jamesxboxgames

-1

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The Good: Great Cinematography, Exellent stunts and action secquences.

The Bad: Too much Blood and Gore, They curse in almost every sentence and the concept is unoriginal and used before.

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Posted apr 3, 2008 10:03 pm pt

• [+] Boston Globe
  
  75
  Marshall reveals himself to be a terrific showman of chaos and comic savagery. This is Baz Luhrmann's "Mad Max."

  by Wesley Morris | Read Full Review »
• [+] Philadelphia Inquirer
  
  75
  One caveat: The film has more blood-splatter than a dozen zombie movies. If you can handle that, Doomsday's drunken mash-up of futuristic and feudal is surprisingly satisfying.

  by David Hiltbrand | Read Full Review »
• [+] Variety
  
  70
  Neil Marshall's flair for visceral action more than compensates for his script's lack of conceptual novelty in Doomsday. Principally South Africa-shot tale of a post-apocalyptic Great Britain cobbles together large chunks of "Escape From New York," "The Road Warrior," "28 Days Later" and "Resident Evil," but those with a taste for revved-up, splattery fantasy thrills won't be complaining.

  by Dennis Harvey | Read Full Review »
• [+] TV Guide
  
  63
  Marshall delivers what he promises and Mitri makes for a cool, kick-arse heroine in the Ellen Ripley mold.

  by Ken Fox | Read Full Review »
• [+] The Onion (A.V. Club)
  
  58
  Marshall's fixation on John Carpenter and early James Cameron is all too apparent, but his own distinctive cinematic style isn't, making Doomsday a likeably rambling but generic shoot-'em-up.

  by Steven Hyden | Read Full Review »
• [+] Entertainment Weekly
  
  50
  Marshall cribs whole sections from other movies (Aliens and The Road Warrior, most blatantly) so baldly that you have to wonder how he'd like it if someone ripped off "The Descent" this egregiously.

  by Gregory Kirschling | Read Full Review »
• [+] Austin Chronicle
  
  50
  Marshall, like his characters, does not mess around: Good people do bad things to not-entirely bad people while the Man (in this case No. 10 Downing St.) seeks ways to screw everyone.

  by Marc Savlov | Read Full Review »
• [+] ReelViews
  
  50
  Doomsday tries to cram so much into its limited 105 minutes that aspects end up feeling rushed and confused (especially the political situation in England) and the ending is perfunctory.

  by James Berardinelli | Read Full Review »
• [+] Film Threat
  
  50
  As a guilty pleasure, it's spectacularly entertaining

  by Stina Chyn | Read Full Review »
• [+] Los Angeles Times
  
  50
  Just to shake things up a little, I guess, the creators of the laughably over-the-top Doomsday thought it might be fun to turn the survivors of a deadly epidemic, rather than its victims, into maniacal murderers.

  by Jan Stuart | Read Full Review »
• [+] The Hollywood Reporter
  
  50
  Mitra, clad in the requisite tight, sexy outfits, conveys a suitable toughness but little in the way of personality, while such distinguished British actors as Bob Hoskins and Adrian Lester dutifully show up to collect their paychecks.

  by Frank Scheck | Read Full Review »
• [+] LA Weekly
  
  40
  I still believe with all my heart that no movie with real car stunts, a tough-chick hero, and a severed head that thunks directly into the camera can be all bad. But this is pushing it.

  by Jim Ridley | Read Full Review »
• [+] Empire
  
  40
  Marshall's film is crammed full of good ideas but doesn't have the cohesion to pull them all together. Less effective than "Dog Soldiers," never mind "The Descent."

  by Helen O'Hara | Read Full Review »
• [+] The New York Times
  
  40
  In terms of story, "The Descent" and Doomsday are as different as two genre films can be, but the falloff in artistic quality is still quantifiable. Where "The Descent" was a slow, quiet, exquisitely modulated, startlingly original film, Doomsday is frenetic, loud, wildly imprecise and so derivative that it doesn't so much seem to reference its antecedents as try on their famous images like a child playing dress-up. Homage without innovation isn't homage, it's karaoke.

  by Matt Zoller Seitz | Read Full Review »