The result was one of Bergman's most haunting and suggestive films.

Emerges as a sumptuously produced period piece that is also a rich tapestry of childhood memoirs and moods, fear and fancy, employing all the manners and means of the best of cinematic theatrical from high and low comedy to darkest tragedy with detours into the gothic, the ghostly and the gruesome. (Review of Original Release)

A masterpiece.

One of his (Bergman's) most life-affirming films.

The movie is astonishingly beautiful. The cinematography is by Bergman's longtime collaborator Sven Nykvist.

If the uncut Fanny and Alexander is Bergman's greatest work, as I think, it's because it's his most inclusive. He shows almost everything: all his moods, conflicts, styles and many of his favorite actors.

Bergman locates a generosity and élan that make F&A feel like his youngest film.