Works best as romantic melodrama and is least convincing as a psychological suspenser.

There's no Passion in this psychological drama.

By the ending of the film, which is unconvincingly neat, I was distracted by too many questions to care about the answers.

Pretty hard to buy into at all.

Though a hypnotically beautiful film, it's dramatically listless and dull, and completely lacking in passion.

Leaves the viewer exhausted, jet-lagged from the effort of investing equally in competing story lines.

A shallow, stilted romantic thriller.

It's pretty muddle-headed and confusing.

At its most interesting, and a bit frightening, when Moore starts to get a little loony. Too bad they didn't follow through and make this more of a psychological thriller than a melodrama.

What may have looked good on paper across the Atlantic gets lost in the translation to our shores.

Moore succeeds, even though the film as a whole does not fare as well.

It's too gauzy, and - with its Ron Bass script - too goopy by half.

The acting is sincere and the camera work is pretty, but this art-movie variation on "The Sixth Sense" doesn't have enough energy to fulfill the high promise of Berliner's previous picture, the enchanting "Ma vie en rose."

Nobody's got a clue. Enquiring minds don't even want to know.