The storyline is more interesting and ambitious, the characters -- little more than appealing types in the original -- are allowed to grow and develop, the special effects are more mature, and the tone is deliciously dark and downbeat. [Special Edition]

The balance between action and mysticism in The Empire Strikes Back provides fascinating energy. It's as if the kids are given one set of delights, the bravado of battles and elaborate warships zooming through exotic space, and adults are given another, a layered explanation of what it all means in the grand scheme of things. [Special Edition]

It balances bloodshed with charm, spectacle with childlike glee. It's a near flawless movie of its kind.

Technical virtuosity and entertainment ingenuity.

The storytelling is the series' best, with a zingy balance of drama, humor, and Deep Thoughts (in a screenplay by Leigh Brackett and Lawrence Kasdan, directed with confident exuberance by Irvin Kershner). [Special Edition]

The best of three Star Wars films, and the most thought-provoking. After the space opera cheerfulness of the original film, this one plunges into darkness and even despair, and surrenders more completely to the underlying mystery of the story. It is because of the emotions stirred in Empire that the entire series takes on a mythic quality that resonates back to the first and ahead to the third. This is the heart.

A technological triumph. [19 May 1980]

It was incredible to see what is arguably the best of the Star Wars films, on the big screen again. However, I do not believe that any of the minor changes make the film any better. [Special Edition]

This is the bluest film you'll ever see. The haunting color resounds throughout Empire like a sustained, melancholy chord...Empire is essential viewing for lovers of science fiction. [Special Edition]

A darker, richer, and more elaborate film than the original; it suffers most from being just what it is: a middle chapter with no real ending. [Special Edition]

A worthy sequel to "Star Wars," equal in both technical mastery and characterization, suffering only from the familiarity with the effects generated in the original and imitated too much by others.

The total effect is fast and attractive and occasionally amusing. Like a good hot dog, that's something of an achievement in a field where unpalatable junk is the rule.

Adds more cosmic cliff-hangers than it resolves, and it's not as satisfying as the original. A star war can be an exhausting bit of business, especially when, in the end, it turns out to be something of a cheat.

Mainly it's marking time: the characters take a definite backseat to the special effects, and much of the action seems gratuitous, leading nowhere.