Critics Scoreboard
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Average Critic Score:




39
(17 sources)




39
(17 sources)
-
80




Los Angeles Times
Virtuosity is a sleek, brutal techno-thriller that generates nonstop action, but for at least some of us the fun is spoiled by its numbing body count and murky story line. Read Full Review » -
75




Chicago Sun-Times
What redeems Virtuosity a little is that even at the end, even in the midst of the action cliches, it still finds surprises in the paradox of a villain that is also a program. Read Full Review » -
63




TV Guide
Unfortunately, Virtuosity ignores character development in favor of slick set design and mindless action sequences. Consequently, it plays like an outdated video game. Read Full Review » -
63




The Globe and Mail (Toronto)
Virtuosity never lacks for energy, its pacing is appropriately breakneck, its bangs are as big as Nagasaki - but finally it can't escape its limitations as a genre picture. [5 Aug 1995, p.C11] Read Full Review » -
60




The New York Times
If all of Virtuosity were as tightly controlled as that, it would exert a greater fascination than it finally does. Read Full Review » -
50




San Francisco Examiner
Watching movies like this strain to fit new technologies like VR into old genres and plot conventions, you can't help wondering whether the real artificial intelligence experiment these days isn't Hollywood itself. Plug the psychological profiles of 200 hit movies into its hive-mind, and out comes one plastic-bodied, loop-brained clone after another. Read Full Review » -
50




ReelViews
Nevertheless, given Washington's presence and the promise of a virtual reality action story, Virtuosity has some appeal -- provided, of course, the viewers aren't selective. Read Full Review » -
42




Seattle Post-Intelligencer
It's a by-the-numbers action affair, and one that is considerably more mean-spirited and humorless than the norm. [4 Aug 1995, p.29] Read Full Review » -
40




Washington Post
Even with its cyberspace connection, the story comes across as flat and tired, merely a pretext for the filmmakers' occasionally dazzling but ultimately numbing special effects. The world of Virtuosity may be spanking new, but the ideas are yesterday's news. Read Full Review » -
40





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38




Rolling Stone
Though Virtuosity connects all the dots to give audiences a roller-coaster ride, the movie begets nothing new: It's stillborn. Read Full Review » -
38




USA Today
Whatever reason Denzel Washington may have had for deigning to grace a melodrama as scummy as Virtuosity, the actor has wound up with something that is even worse than 1991's Ricochet in his otherwise creditable filmography. [4 Aug 1995, p.4D] Read Full Review » -
33




Entertainment Weekly
Washington is wasted here. Kelly Lynch is wooden. Crowe has a ball going over the top, but how much taunting and eyeball popping can a performer do? Read Full Review » -
30




Austin Chronicle
Despite some briefly breathtaking, computer-generated special effects, Virtuosity is 95 minutes of unsubstantial firefights and meandering plot twists. Read Full Review » -
25




San Francisco Chronicle
The presence of Washington lends the picture a much-needed dose of authenticity. But in the end Virtuosity is disconnected and uninvolving, despite -- or maybe because of -- a climax that comes in three distinct waves. One section seems to be a half-hour sound-and-light show. Read Full Review » -
25




Boston Globe
Virtuosity doesn't really compute, but there's going to be more of its kind of cyberaction, not less. [4 Aug 1995, pg. 51] Read Full Review » -
25




Chicago Tribune
The usual bad movie sometimes gives a few chuckles, amuses audiences by making them feel superior. But young director Leonard makes a different kind of bomb. Fascinated with technology, Leonard makes cutting-edge techno-turkeys, with wildly elaborate visuals and ridiculous plots. [4 Aug 1995, pg. I] Read Full Review »
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